Thursday, 17 July 2014

Review: Dawn of the Planet of the Apes (3D)

Feeling a little more like a formulaic blockbuster than its predecessor, Dawn still packs a heck of a wallop in action, emotion and intensity.

Set ten years after the events of Rise of the Planet of the Apes, Dawn shows us that the ALZ-112 virus (later known as the simian flu) has wiped out nearly all human life on Earth. The ape known as Caesar has prospered with his tribe and now several of them can speak both with sign and vocally. But when human survivors enter their territory hoping to repair a hydroelectric dam that supplies their town, there is civil unrest amongst the apes...

Rise of the Planet of the Apes was unprecedented in its integrity and emotional weight, as well as its subtly when explaining its characters' complexities. In the sequel ten years have passed and our characters' roles have been established for this second act's more kinetic story; we have a struggle of territories and a struggle of trust. Both sides, human and ape, have taken causalities and their pasts are bleak and full of strife. 

This is the tipping point where the reality of the premise comes to a head.

At the centre of this is the relationship between Caesar, the ape leader, and Koba, a scarred ape who was also given accelerated brain treatment in Rise. This conflict is incredible and is easily the driving force for the film's second and third acts, Koba has memorable scenes in equal measure to Caesar in the first film.
On the human side things are more formulaic. Jason Clarke plays Malcolm, a survivor and father who sees the possibility of peace between the two races, and Gary Oldman plays the humans' nervous leader Dreyfus extremely well. But most of the characterisation for the humans only lies between Malcolm and Caesar, who both struggle to protect their families against uncontrollable dangers.
It does continue Rise's faithful continuity to the original film; I caught one or two familiar aspects that should grow in importance as time moves on around our characters.

The CG effects and motion capture here is stunning. Really stunning. The lighting and animation of these animals during all kinds of events, rainstorms and infernos, is really something to see. Koba himself is portrayed especially in a terrifying light! You are properly away with the premise, occasionally I would think: "I'm watching two monkeys beat the snot out of each other... and I am completely invested in it!" but then the success of such a premise lies in the technical execution, and it definitely succeeds here!
 

For a 12A, I must admit, this is a grim and scary film. While Rise established Caesar and global events, Dawn goes for the jugular and is probably the most intense 12A I have seen since The Dark Knight.

It isn't as compelling as its predecessor. It feels ever so slightly too long: the second act feels quite padded for time with some repetitive scenes. Why explain something twice when you can do it once with more efficiency? Certainly Rise's subtly isn't present; this is a blockbuster designed to have you at the edge of your seat, and I certainly was!

I highly recommend it! I love a good villain and Koba has been building up to this since Rise, and as a sequel it has paid off awesomely. What it lacks in subtext it makes up for in sheer brutality and emotional intensity.



Additional Marshmallows: Ah yes, the 3D. I wouldn't say you need to see this in 3D, although the effect didn't detract my enjoyment at all!

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