A grim tale about some of humanity's worst, albeit more subtle, traits. Great acting all around but does this story really need to be told?
Based off a true story, two brothers are Olympic medal winners in wrestling, but now they are older the youngest brother wants to start out on his own, feeling neglected in his sibling's shadow. When a wealthy company owner contacts him and pledges his unwavering support and chance to escape his brother, he accepts in a heartbeat. But was this decision really the best?
Foxcatcher is not a film I would normally see in the cinema, these stories I feel don't require the big screen. That and I go to the cinema as escapism, for a good time.
Do not go to see Foxcatcher if you are in a bad mood.
But my reason to watch this was the casting. Channing Tatum as the younger brother Mark, graduating from GI Joe and 21 Jump Street into a serious role, Mark Ruffalo and a bleakly transformed funny man Steve Carell. I was intrigued. If anything, this film will be the one you cite in the future when someone says: "Steve Carell never does any serious roles!"
And for these actors yes, the film is incredible and unique, especially Carell who is virtually unrecognisable as the born-to-riches but withered John du Pont. Tatum must be delivering his most severe and emotive performance ever, quite incredible, and Ruffalo cannot be ignored either! They are all powerhouses here and each clashes with the other mercilessly.
The film itself though is a hard, hard watch. Just over two hours it begins with deliberate ambiguity with the two Schultz brothers languishing in their past successes, Mark (Tatum) struggling with self worth and David (Ruffalo) a happy family man. Even upon Carell's introduction little is being suggested, little is being betrayed in terms of motivation. At first I was suffering.
The tone of the movie is suffocating, bleak and with unforgiving stillness (if you brought popcorn, you will regret it!) even when the characters are victorious it feels like a loss!
But perhaps an hour in characters begin to be enlivened (not that they weren't well portrayed to begin with, in fact thanks to the initial "slow boil" these later moments are all the stronger) and they start to show their true colours, consequences are realised and we see how these people really respond. Unfortunately I cannot say without spoiling, but two thirds of the way in this film becomes bombastic and terrible and incredible, all barrelling along towards a bitter end.
But it really, really is depressing. I don't feel as though this story needed to be told; it is a sad, tragic tale of reality and while told through an incredible lens of truth and gravitas, I can't help but ask questions that demean every character involved. Why did they do this? Why did he do that? Surely all of it could be avoided if...?
And sure that is likely the point, the film's theme is clearly about the frailty of the human condition and now things are never truly good and well, that people are dumb and callous and selfish most of the time, and are hurtful and short sighted to those around them.
So yeah, that's this movie: a bleak and depressing but totally realised character study with incredible acting. Enjoy.
Additional Marshmallows: I sort of forgot what with all the doom and gloom, the wrestling is central to the plot and, from my extremely limited perspective, appears to be well represented in the sort of training and skill required.
We are moving to a new site: www.cinemacocoa.com! I've spent several years compiling film reviews and my annual Best/Worst choices, as well as being bit of a movie buff. I figure the best thing to do is make a Blog for my reviews, lists and general film related trivia :) Enjoy.
Showing posts with label wrestling. Show all posts
Showing posts with label wrestling. Show all posts
Wednesday, 14 January 2015
Sunday, 11 November 2012
Review: Win Win
A good little comedic drama staring Paul Giamatti doing what he does best.
Mike Flaherty is a man struggling with multiple commitments; he works as a lawyer, runs a young people's wrestling team and has a family to care for. With his finances stretched thin, his questionable solutions are called into question when a wrestling prodigy stays with him to escape his own family problems.
Win Win's three act narrative is quite apparent, and I will admit it took a little time for me to warm into it at first. This is deliberate, as we see Mike's life is troubled and his decisions are debatable and ambiguous... the first act blatantly sets up more to come, only to be temporarily side-lined by an excellent second act when the character of Kyle is introduced. Certainly the middle-to-end acts are superb as we see the characters become overwhelmed by surprise success while the consequences of Mike's earlier choices start to emerge.
My only problem was with the ending, which felt rather sudden and a little too easy on Mike himself; the film addresses overcoming personal demons and fighting them off with courage, yet he himself has little-to-no battle. The film simply eases off the pressure.
But having said that, it is a good little film with some really nice characters who you do find quickly charming. I can't say I found any of them irritating or unrealistic, which I often do with these sorts of films! The comedy isn't forced or contrived (except maybe once early on) it is a friendly sort of humour.
Fans of Giamatti's work must apply. Anyone who wants a pleasant distraction should check it out too.
Mike Flaherty is a man struggling with multiple commitments; he works as a lawyer, runs a young people's wrestling team and has a family to care for. With his finances stretched thin, his questionable solutions are called into question when a wrestling prodigy stays with him to escape his own family problems.
Win Win's three act narrative is quite apparent, and I will admit it took a little time for me to warm into it at first. This is deliberate, as we see Mike's life is troubled and his decisions are debatable and ambiguous... the first act blatantly sets up more to come, only to be temporarily side-lined by an excellent second act when the character of Kyle is introduced. Certainly the middle-to-end acts are superb as we see the characters become overwhelmed by surprise success while the consequences of Mike's earlier choices start to emerge.
My only problem was with the ending, which felt rather sudden and a little too easy on Mike himself; the film addresses overcoming personal demons and fighting them off with courage, yet he himself has little-to-no battle. The film simply eases off the pressure.
But having said that, it is a good little film with some really nice characters who you do find quickly charming. I can't say I found any of them irritating or unrealistic, which I often do with these sorts of films! The comedy isn't forced or contrived (except maybe once early on) it is a friendly sort of humour.
Fans of Giamatti's work must apply. Anyone who wants a pleasant distraction should check it out too.
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